GHCD 2281/82/83/84
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Zara Dlukhanova
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CD1 - Track 5 - |
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CD2 - Track 16 |
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CD2 - Track 13 |
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Contents:
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CD 1 [73:22] |
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Arie antiche |
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1. |
Giacomo Carissimi (1605-1674): Vittoria mio core! (Domenico Benigni) |
[3:36] |
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2. |
Antonio Caldara (1670-1736): Come raggio del sol (anonymous) |
[3:16] |
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3. |
Francesco Bartolomeo Conti (1681-1732): Quella fiamma che m’accende (anonymous) [previously attributed to Benedetto Marcello (1686-1739)] |
[4:01] |
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4. |
Giovanni Battista Pergolesi (1710-1736): Se tu m’ami (Paolo Antonio Rolli) |
[2:34] |
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5. |
Giuseppe Giordani (1733-1806): Caro mio ben (anonymous) |
[3:49] |
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6. |
Louis Niedermeyer (1802-1861): Pietà, Signore (anonymous) [previously attributed to Alessandro Stradella (1639-1682) and to Rossini] |
[7:24] |
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All above sung in Italian - Moscow Chamber Orchestra; Rudolf Borisovich Barshai (conductor) |
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7. |
Giuseppe Verdi (1813-1901): Ave Maria (1880) (liturgical, sung in Latin) Moscow Chamber Orchestra; Rudolf Borisovich Barshai (conductor) |
[5:45] |
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Wolfgang Amadeus Mozart (1756-1791) |
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8. |
Exsultate, jubilate, K. 165 (liturgical, sung in Latin) Moscow Chamber Orchestra; Rudolf Borisovich Barshai (conductor) |
[13:46] |
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The following are sung in Russian (Tracks 9-18) |
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9. |
Ridente la calma, K. 210a (152) (anonymous) (also attributed to Josef Myslive„jek, 1737- 1781) - Berta Markovna Kozel (piano) rec. 1950 |
[3:50] |
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10. |
Komm, liebe Zither, K. 351 (anonymous) N. Rozov (mandolin) Berta Markovna Kozel (piano) |
[1:55] |
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11. |
Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 520 (Gabriele von Baumberg), Berta Markovna Kozel (piano) |
[1:51] |
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12. |
An Chloë, K. 524 (Johann Georg Jacobi) Berta Markovna Kozel (piano) rec. 1950 |
[2:01] |
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13. |
COSÌ FAN TUTTE, K. 588: Act I, No. 4—Oh, guarda sorella (Lorenzo da Ponte) Galina Petrovna Sakharova (soprano), Moscow Radio Symphony Orchestra, Alexei Matveievich Kovalyov (conductor) rec. 1953 |
[4:19] |
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Gioacchino Rossini (1792-1868) |
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14. |
SOIRÉES MUSICALES: No. 9–La Regata veneziana (Conte Carlo Pepoli) |
[3:15] |
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15. |
SOIRÉES MUSICALES: No. 10–La Pesca (Nocturne) (Conte Carlo Pepoli) - Nadezhda Appollinarievna Kazantseva (soprano), Anton Ossipovich Bernard (piano) |
[4:04] |
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Ludwig van Beethoven (1770-1827) |
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16. |
SONGS OF VARIOUS NATIONALITIES (23), WoO 158A (“NEUES VOLKSLIEDERHEFT”): 2 Russian songs No. 13–In the little woods; No. 14–Oh, rivers, rivers (traditional) Alexander Yerokhin (piano), Rostislav Dubinsky (violin), Valentin Berlinsky (cello) |
[1:37] [2:18] |
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Johannes Brahms (1833-1897) |
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18. |
Vor der Tür, Op. 28, No. 2 (traditional) Andrei Alexeievich Ivanov (baritone), Georgi Borisovich Orentlikher (piano) rec. 1953 |
[2:14] |
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CD 2 [75:14] |
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(All piano accompaniments by Berta Markova Kozel, and sung in Russian, unless otherwise stated) |
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Robert Schumann (1810-1856) |
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FRAUENLIEBE UND -LEBEN, OP. 42 (Adalbert von Chamisso) Recorded 1953 |
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1. |
1. Seit ich ihn gesehen |
[2:42] |
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2. |
2. Er, der Herrlischte |
[2:20] |
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3. |
3. Ich kann’s nicht fassen |
[1:42] |
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4. |
4. Du Ring an meinem Finger |
[2:08] |
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5. |
5. Helft mir, ihr Schwestern |
[1:37] |
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6. |
6. Süßer Freund, du blickest |
[4:28] |
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7. |
7. An meinem Herzen |
[0:57] |
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8. |
8. Nun hast du mir den ersten Schmerz getan |
[3:51] |
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Franz Peter Schubert (1797-1828) |
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9. |
Wiegenlied, Op. 98, No. 2, D. 498 (“Schlafe, schlafe, holder, süßer Knabe”) (anonymous) rec. 1953 |
[2:19] |
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10. |
Die Forelle, Op. 32, D. 550 (Christian Friedrich Daniel Schubart) rec. 1950 |
[1:36] |
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11. |
Du bist die Ruh’, Op. 59, No. 3, D. 776 (Friedrich Rückert) |
[5:17] |
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12. |
DIE SCHÖNE MÜLLERIN, OP. 25, D. 795: No. 2—Wohin? (Wilhelm Müller) rec. 1952 |
[1:51] |
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13. |
Ellens Gesang III, Op. 52, No. 6, D. 839 (“Ave Maria”) (Adam Storck, after Sir Walter Scott) (6.18) Sung in German, rec. 1953 |
[6:11] |
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14. |
SCHWANENGESANG, D. 957: No. 9—Ihr Bild (Heinrich Heine) rec. 1948 |
[2:58] |
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Ferenc Liszt (1811-1886) |
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15. |
Gebet, G. 331 (Friedrich Martin Bodenstedt, after Mikhail Y. Lermontov) rec. 1952 |
[3:23] |
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16. |
Oh, quand je dors, G. 282 (Victor Hugo) rec. 1952 |
[6:04] |
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17. |
Der Gluckliche, G. 334 (Adolf von Wilbrandt) rec. 1952 |
[1:54] |
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18. |
Loreley, G. 273 (Heinrich Heine) rec. 1951 |
[6:56] |
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Jacques Offenbach (1819-1880): LES CONTES D’HOFFMANN: Act IV— |
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19. |
Vous me
quittez?…Malheureux! Tu ne comprends donc pas…Ô dieu, de quelle ivresse |
[6:08] |
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20. |
Léo Delibes (1836-1891): Bonjour, Suzon (Alfred de Musset) rec. 1950 |
[2:25] |
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21. |
Georges Bizet (1838-1875): Douce mer (Alphonse de Lamartine) rec. 1950 |
[2:51] |
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22. |
Salvatore Cardillo (1874-1947): Core ‘ngato (Catarì) (Riccardo Cordiferro) (with Orchestra) |
[4:44] |
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CD 3 [77:10] |
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1. |
Maurice Ravel (1875-1937): DEUX MÉLODIES HÉBRAÏQUES: No. 1—Kaddish (liturgical) Sung in Aramaic, Nina Svetlanova (piano) |
[5:02] |
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Manuel de
Falla (1876-1946): SIETE CANCIONES POPULARES ESPAÑOLAS (traditional) |
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2. |
I El Paño moruno |
[1:14] |
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3. |
II Seguidilla murciana |
[1:29] |
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4. |
III Asturiana |
[2:38] |
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5. |
IV Jota |
[3:22] |
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6. |
V Nana |
[1:39] |
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7. |
VI Canción |
[1:21] |
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8. |
VII Polo |
[1:42] |
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Hugo Wolf (1860-1903) - Berta Markovna Kozel (piano) rec. 1950s (Sung in Russian) |
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9. |
Gedichte (51) von Goethe: No. 9—Mignon IV (“Kennst du das Land?”) |
[5:42] |
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10. |
Gedichte (52) von Goethe: No. 11—Der Rattenfänger |
[2:37] |
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11. |
Gedichte (53) von Eduard Mörike: No. 12—Verborgenheit |
[2:50] |
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12. |
Spanisches Liederbuch: No. 13—Seltsam ist Juanas Weise (Emanuel von Geibel) |
[2:18] |
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13. |
Spanisches Liederbuch: No. 16—Wenn du zu den Blumen gehst (Paul Heyse) |
[1:25] |
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Richard Strauss (1864-1949) - Berta Markovna Kozel (piano) rec. 1950s (Sung in Russian) |
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14. |
Allerseelen, Op. 10, No. 8 (Hermann von Gilm zu Rosenegg) rec. 1950s |
[2:51] |
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15. |
Cäcilie, Op. 27, No. 2 (Heinrich Hart) rec. 1950s |
[2:17] |
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16. |
Heimliche Aufforderung, Op. 27, No. 3 (John Henry Mackay) rec. 1950s |
[2:41] |
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17. |
Morgen!, Op. 27, No. 4 (John Henry Mackay) rec. 1953 |
[3:11] |
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18. |
Traum durch die Dämmerung, Op. 29, No. 1 (Otto Julius Bierbaum) rec. 1950s |
[2:45] |
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19. |
Hat gesagt - bleibt’s nicht dabei, Op. 36, No. 3 (des Knaben Wunderhorn) |
[1:52] |
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Benjamin Britten (1913-1976) |
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20. |
A CHARM OF LULLABIES, OP. 41: No. 5— The Nurse’s Song (John Phillip) |
[2:29] |
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21. |
No. 4— A Charm (Thomas Randolph) Sung in English, Nina Svetlanova (piano) |
[1:33] |
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22. |
Alexander Sergeievich Dargomyzhsky (1813-1869): Fair maidens (Alexander Sergeievich Pushkin), Galina Petrovna Sakharova (soprano), Berta Markovna Kozel (piano) rec. 1950 |
[1:46] |
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César Antonovich Cui (1835-1918) - Berta Markovna Kozel (piano) rec. 1950s |
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23. |
Confidant, Op. 57, No. 8 (Alexander Sergeievich Pushkin) rec. 1951 |
[0:54] |
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24. |
Evening glow (anonymous) rec. 1951 |
[1:54] |
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25. |
Lilacs quickly fading here, Op. 54, No. 5 (René-François Sully-Prudhomme) |
[2:37] |
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26. |
Pyotr Ilich Tchaikovsky (1840-1893): In the garden near the ford, Op. 46, No. 4 (Ivan Zakharovich Surikov, after Taras Shevchenko) Galina Petrovna Sakharova (soprano), Berta Markovna Kozel (piano) rec. 1950 |
[1:50] |
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27. |
Sergei Ivanovich Taneiev (1856-1915): Let it sound no more, Op. 17, No. 3 (Konstantin Dmitrievich Balmont, after Percy Bysshe Shelley) Alexander Pavlovich Dolukhanian (piano) rec. 1947 |
[2:28] |
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28. |
Anton Stepanovich Arensky (1861-1906): SIX CHILDREN’S SONGS, OP. 59: No. 2 Mutual guarantee (Apollon Nikoaievich Maikov) Moscow Radio Symphony Orchestra, Leonid Pavlovich Piatigorsky (conductor) |
[1:14] |
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29. |
Alexander Nikolaievich Scriabin (1872-1915): Romance (c. 1894) (composer) Berta Markovna Kozel (piano) rec. 1952 |
[1:27] |
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Nikolai Karlovich Medtner (1880-1951) - Berta Markovna Kozel (piano) rec. 1950s |
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30. |
Winterabend, Op. 13, No. 1 (Alexander Sergeievich Pushkin) |
[3:11] |
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31. |
When roses fade, Op. 36, No. 3 (Alexander Sergeievich Pushkin) |
[1:54] |
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32. |
Spanish Romance, Op. 36, No. 4 (Alexander Sergeievich Pushkin) |
[1:54] |
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CD 4 [70:34] |
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(All piano accompaniments by Berta Markova Kozel unless otherwise stated.) rec. 1950s |
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Peter Ilich Tchaikovsky (1840-1893) - Alexander Pavlovich Dolukhanian (piano) rec. 1948 |
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1. |
Take my heart away (1873) |
[1:53] |
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2. |
Not a word, o my friend, Op. 6, No. 0 |
[2 3:1] |
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3. |
Both painfully and sweetly, Op. 6, No. 3 (“Bitter sweet”, “Love’s beginning”) |
[2:15] |
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4. |
The Cloud, Op. 27, No. 2 |
[3:23] |
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5. |
Do not leave me, Op. 27, No. 3 |
[2:29] |
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6. |
It was in early spring, Op. 38, No. 2 |
[2:43] |
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7. |
Darkness fell on the earth, Op. 47, No. 3 |
[4:42] |
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8. |
Sleep, unhappy friend, Op. 47, No. 4 |
[4:00] |
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9. |
Does the day reign?, Op. 47, No. 6 |
[3:13] |
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10. |
Tell me what you are thinking, Op. 57, No. 1 |
[3:51] |
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11. |
Do not ask, Op. 57, No.3 |
[3:09] |
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12. |
The first meeting, Op. 63, No. 4 |
[1:29] |
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13. |
The fires in the room were already extinguished, Op. 63, No. 5 |
[2:33] |
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14. |
Serenade, Op. 63, No. 6 (“O Child, beneath thy window”) |
[2:57] |
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15. |
Song of Zemfira (1866) (“Dreadful old Husband”) |
[1:34] |
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16. |
Mezza notte (c.1860) Alexander Pavlovich Dolukhanian (piano) rec. in Italian, 1948 |
[1:52] |
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Serge Rachmaninoff (1873-1943) |
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17. |
Morning, Op. 4, No. 2 (“I love you so”) rec. 1949 |
[2:26] |
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18. |
The Water-lily, Op. 8, No. 1 (rec. 1951) |
[1:40] |
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19. |
Prayer, Op. 8, No. 6 (“O my God”) Alexander P. Dolukhanian (piano) rec. 1948 |
[3:30] |
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20. |
Midsummer nights, Op. 14, No. 5 (rec. 1951) |
[1:40] |
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21. |
Do not regret me, Op. 14, No. 8 (rec. 1949) |
[3:27] |
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22. |
The Answer, Op. 21, No. 4 (rec. 1949) |
[1:41] |
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23. |
Lilacs, Op. 21, No. 5 (rec. 1948-53) |
[1:48] |
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24. |
The Muse, Op. 34, No. 1 (rec. 1952) |
[3:41] |