The Organ of Emmanuel Church, West Hampstead
Emmanuel Church established an outstanding
musical tradition at the turn of the last century with the appointment of distinguished
composer Martin Shaw as its first organist. He was succeeded by Henry Colles, who
subsequently became chief music critic of The Times, RCM professor, and editor of Groves
Dictionary of Music. Colles drew up the specification for the current organ, heard on
this recording, in consultation with his friend and former tutor, Walford Davies, who was
to give the inaugural performance. J.W. Walker & Sons built the organ in 1910, by
which time the acclaimed recitalist and composer, Harold Darke, had replaced Colles as
organist.
Originally designed as a three-manual instrument, the organ was
constructed in a suitably spacious chamber on the north side of the chancel, at a cost of
£1,125. All but a handful of Swell, Great, and Pedal stops were installed, with the
intention of completing work to the full original specification when funds permitted; but
no provision was made for the Choir organ, save for a dummy keyboard. The casework,
incorporating bass pipes from the Great Large & Small Diapasons and the Dulciana, was
erected in 1914; but the outbreak of the First World War, and subsequent economic
difficulties of the inter-war years prevented any further progress at this stage.
Walkers cleaned and revoiced the organ in 1956, replacing the
Tremulant, and inserting the present Twelfth stop in a niche initially earmarked for the
Great Trumpet. An apprentice on that project, Michael Broom, has been tuning and
maintaining the organ ever since. Consistent problems of wind shortage were finally
rectified in 1996, when the ageing, belt-driven blower was replaced with a new machine,
supplied by B.O.B. Stevenson Ltd.
The organ otherwise remains unaltered: a capacious swell box
permits wide dynamic range, and the action is tubular-pneumatic. Its full-bodied tone and
colourful specification are ideally suited for an accompanimental rôle, and an apposite
vehicle for the English romantic repertory. Walker organs of this vintage rank amongst the
finest of their period and style, and the radiant acoustics of Emmanuel add warmth and
glow.
GREAT ORGAN
| Open Diapason Large |
8 |
| Open Diapason Small |
8 |
| Wald Flute |
8 |
| Dulciana |
8 |
| Principal |
4 |
| Harmonic Flute |
4 |
| Twelfth |
2 ²/³ |
| Fifteenth |
2 |
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SWELL:
| Open Diapason |
8 |
| Stopped Diapason |
8 |
| Echo Gamba |
8 |
| Open Diapason |
8 |
| Voix Celeste |
8 |
| Principal |
4 |
| Fifteenth |
2 |
| Fifteenth |
2 |
| Mixture |
2 rks |
| Trumpet |
8 |
| Oboe |
8 |
| Tremulant |
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| Octave |
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| Sub-octave |
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| Unison off |
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PEDAL ORGAN
| Open Diapason |
16 |
| Bourdon |
16 |
| Octave |
8 |
| Flute |
8 |
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COUPLERS:
| Swell to Great |
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| Swell to Pedal |
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| Great to Pedal |
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| Balanced swell pedal |
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| Four toe pistons to Swell |
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| Four toe pistons to Great & Pedal |
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| Reversible toe piston for Great to Pedal |
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The Organ of Emannuel Church, West Hamstead on Guild Music
Page created 24.10 2000
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