The Organ of Norwich Cathedral
Like most Cathedrals, Norwich has had many different
organs throughout its near nine hundred years of history, and the present instrument,
easily the largest fo them all, contains pipework by builders from the seventeenth century
to the present day. A fuller account of such information as we have about the
pre-Restoration organs is given by Noel Boston in 'The Musical History of Norwich
Cathedral', but though this is concerned with the aorgan of today, it is relevant to list
the instruments and the chief rebuildings that have taken place since in 1643 the Puritans
wrought their work of destruction upon the monuments and furnishings, 'toting upon the
destroyed Organ pipes............
The post-Restoration organ was built in London by a Dailam, one of the
sons of the famous builder of the King's College, Cambridge, instrument, and was installed
on the pulpitum screen in 1664. Only twenty-five years later this was considerably
enlarged by Renatus Harris, so that by 1690 it had ten stops on the great manual, five on
the choir, and five on the echo. A few years later, Christian Smith, nephew of the
better-known Father Smithy, was called in to overhaul the Cathedral organ, and to add
trumpet stops.
In 1760 John Byfield, who had married into the Harris family, rebuilt the
organ but did not enlarge it. Even at the next and more radical rebuilding by J.C. Bishop
in 1934, the organ was not much enlarged, though a swell replaced the echo division, an
octave and a half of 'German' pedals appeared, the five-rank cornet on the great gave way
to the clarebella, and combination pedals were provided to enable the player to change
stops without having to use his hands.
Norman and Beard of Norwich first enter this history in 1899, when they
were engaged to build a five manual instrument. This had sixty-two speaking stops,
including the ten stop echo organ enclosed in a swell box at the south-east corner of the
choir triforium. The remainder of the instrument was situated in a new case on the
screens, with the exception of some pedal stops which were in the south triforium . The
console was on the south side of the screen.
Organ Specifications
| Pedal |
|
Swell |
|
| Double Open Wood |
32 |
Contra Geigen |
16 |
| Open Wood No. 1 |
16 |
Dourdon |
16 |
| Open Wood No. 2 |
|
Open Diapason |
8 |
| (from No.1) |
16 |
Rohr Gedeckt |
8 |
| Open Diapason No. 1 |
16 |
Salicional |
8 |
| Open Diapason No. 2 |
|
Voix Celeste II rks |
8 |
| (from Great) |
16 |
Principal |
4 |
| Violone (wood) |
16 |
Stopped flute |
4 |
| Contra Viol |
|
Fifteenth |
2 |
| (from Solo) |
16 |
Larigot |
11/3 |
| Bourdon |
16 |
Sesquialtera (12.17) |
II |
| Gedeckt (from Great) |
16 |
Mixture |
|
| Dulciana |
16 |
(15,19,22,26,29) |
V |
| Quint |
102/3 |
Sharp Mixture |
|
| Octave Wood |
|
(22,26,29,33) |
IV |
| (from No. 2) |
8 |
Oboe |
8 |
| Principal (from No. 4) |
8 |
Contra Fagotto |
16 |
| Bass Flute(from No. 8) |
8 |
Horn |
8 |
| Violoncello(from No.6) |
8 |
Trumpet |
8 |
| Octave Dulciana |
|
Clarion |
4 |
| (from No.10) |
8 |
Tremulant |
|
| Twelfth |
|
Octave - Suboctave- |
|
| (from No.11) |
51/3 |
Unison off |
|
| Superoctave |
|
Solo to Swell |
|
| (from No.2) |
4 |
|
|
| Fifteenth (from No.4) |
4 |
|
|
| Octave fluet |
|
Choir |
|
| (from No.8) |
4 |
|
|
| Mixture 19.22 |
II rks |
|
|
| Bass Trombone |
32 |
Positif - Unenclosed) |
|
| Ophicleide |
16 |
|
|
| Clarion |
8 |
Quintaten |
16 |
| Octave Clarion |
4 |
Open Diapason |
|
| Bass Trumpet |
|
(partly very old) |
8 |
| (from Great |
16 |
Chimney Flute |
8 |
| Contra Fagotto |
4 |
Principal |
4 |
| (from Swell) |
16 |
Nason Flute |
4 |
| Schalmei (from Choir) |
16 |
Nazard |
22/3 |
| Solo to Pedal |
|
Superoctave |
2 |
| Swell to Pedal |
|
Blockflute |
2 |
| Great to Pedal |
|
Tierce |
13/5 |
| Choir to Pedal |
|
Cymbal 33,36 40 |
III rks |
| |
|
Mounted Cornet |
|
| |
|
(from Great) |
|
| |
|
|
|
| Solo |
|
Choir |
|
| Contra Viol |
16) |
Swell - (enclosed) |
|
| Viole D'Orchestre |
8) |
|
|
| Octave Viole |
4) |
|
|
| Viole Celeste II rks |
8 |
Violoncello |
8 |
| Harmonic Claribel |
8 |
Cor de Nuit |
8 |
| Flauto Traverso |
4 |
Dolce |
8 |
| Cor Anglais (Ten. C) |
16 |
Unda Maris (Tenor C) |
8 |
| Orchestral Oboe |
8 |
Undulating |
|
| Clarinet |
8 |
Gemshorn |
4 |
| Vox Humane |
8 |
Glageolet |
2 |
| Orchestral Horn |
|
Octavin |
1 |
| (old Tuba) |
8 |
Schaleml |
16 |
| Orchestral Trumpet |
16) |
Trumpet |
8 |
| Orchestral Trumpet |
8) |
Octave -Suboctave- |
|
| Orchestral Trumpet |
4) |
Unison off |
|
| Tuba Mirabilis |
8 |
Solo to Choir |
|
| (unenclosed) |
|
Swell to Choir |
|
| Tremulant |
|
Great Bass Trumpet |
16 |
| Octave - suboctave - |
|
Great Tromba |
8 |
| Unison off |
|
Great Clarion |
4 |
| |
|
|
|
| Accessory Controls |
|
|
|
| |
|
|
|
| 10 Toe Pistons to Pedal Orgah |
|
On and off thumb pistons |
|
| 10 Thumb Pistons to Pedal |
|
*Great to Pedal *Choir to Pedal |
|
| Organ (duplicating Toe) |
|
*Swell to pedal *Solo to Great |
|
| Pistons and arranged at |
|
*Swell to Great *Pedal Ophicieide |
|
| Bass end of Swell and |
|
*Solo to Pedal Solo to Choir |
|
| Great Key Slips) |
|
*Choir to Pedal Swell to Choir |
|
| 10 Thumb Pistons to Great |
|
|
|
| 10 Thumb Pistons to Swell |
|
|
|
| 10 Thumb Pistons to Solo |
|
|
|
| 10 Thumb Pistons to Choir |
|
Rocking Tablets |
|
| All combinations set at |
|
|
|
| Miniature switchboard by the |
|
|
|
| Console |
|
Transfer Positif to Swell |
|
| 1 Drawstop knob connecting |
|
Transfer Great Secondary to |
|
| Great Pistons to Pedal |
|
Choir |
|
| Pistons |
|
Transfer Great Secondary to |
|
| 1 Thumb Piston to each |
|
Swell |
|
| manual cancelling all stops |
|
Transfer Choir to Great |
|
| on the manual |
|
Great to Choir Coupler |
|
| 1 Thumb Piston cancelling |
|
|
|
| pedal stops |
|
|
|
| 1 Thumb Piston cancelling |
|
3 Balanced Swell pedals: |
|
| Octave Couplers |
|
Choir, Swell and Solo |
|
| 1 Thumb Piston cancel |
|
Push button switch controls |
|
| " Double-off" by rocking tablets |
|
and luminous indicators to |
|
| with luminous warning |
|
blowers |
|
| indicator |
|
* duplicated by Toe Pistons |
|
| |
|
|
|
| Great Primary |
|
Secondary |
|
| Double Gedackt, Tenor C |
|
Gedackt |
16 |
| (from Gt No. 13) |
32 |
Principal |
8 |
| Double Open Diapason |
16 |
Stopped Diapason |
8 |
| Open Diapason No. 1 |
8 |
Octave |
4 |
| Open Diapason No. 2 |
8 |
Spitz Flute |
4 |
| Quint |
51/3 |
Wald Flute |
2 |
| Octave |
4 |
Quartane (12./15) |
II |
| Twelfth |
22/3 |
Furniture |
|
| Fifteenth |
2 |
(22.26.29.33.36) |
V-VI |
| Mixture |
|
Mounted Cornet |
|
| (15.19.22.26 |
IV rks |
(1.8.12.15.17) |
V |
| Bass Trumpet |
16 |
Solo to Great |
|
| Tromba |
8 |
Swell to Great |
|
| Clarion |
4 |
Choir to Great |
|
Mechanical action
The Organ of Norwich Cathedral on Guild
Page created 18.02.02
|