Reviews for
GMCD 7175 - Zurich Arise!
Music from the Renaissance to theBaroque
CHOIR AND ORGAN JULY/AUGUST 2000
The Choir of Gonville & Caius College, Cambridge / Geoffrey Webber
(4 out of 5 Strars)
The interest of the recording is primarily academic.
The repertoire represents some of the leading composers of post-Reformation Zurich:
Johannes Schmidlin, Johann Jakob Walder, Hohann Heinrich Egli and Johann Casper Bachofen,
together with the so-called 'Kappel Song' by the Reformer Zwingli, who was apparently a
greal music-lover, despite being responsible for banning music from all Zurich churches.
Performances are immaculate, with some lovely solo and ensemble singing. Geoffrey Webber
contributes a sequence of Intabulations from the Clemens Hör organ book
American Record Guide May/June
Page 257
Zurich, Arisei
Gonville & Caius College Choir/ Geoffrey Webber Guild 7175 (Qualiton) 59 minutes
It is ironic, in a way, that this program even exists, considering the history behind
it. In 1523, the Zurich Protestant reformer Ulrich Zwingli wrote, "Away with the
mumbling of your songs, and neither do 1 want to hear the sound of your lyre." How
could this music-loving man, a capable musician who could play 11 different instruments,
write such harsh words? Some speculate that Zwingli came to consider the elaborate music
of the Catholic Church as part and parcel of the "good works" that Catholics
allegedly were using to try to earn their salvation. Whatever caused his impulse, his
words were followed to the letter. Within a year, all pictures had been taken from the
walls of Zurich churches and hymn- singing was forbidden; and in 1527, all the city's
organs were torn down. Only a few years earlier, Zurich's two main churches had competed
with one another to see who could build the biggest and best organ.
Though music was forbidden in the churches, it flourished outside-or at least,
societies were formed for the propagation of music. In 1598, hymn-singing was reinstated
in Zurich after Raphael Egli, an archdeacon, wrote that according to the Bible, singing in
church was God's will. That same year, the first post-Reformation hymnbook was published,
with the melodies only-no accompaniment. Later the hymnbook was revised, with the hymns
set for four parts.
The music here reflects all stages of this sad but fascinating saga. Zwingli himself
was a composer; one of his selections is included. Other composers here are Schmidlin,
Walder, Egli, and Bachofen. Appropriately enough, the program begins with an a cappella
singing of the Aposde's Creed. Following is a substantial selection of organ pieces and
vocal numbers, spanning the years from about 1535 to 1759. Even after hymn singing was
reinstated, music inside and outside the Protestant church was kept strictlz separated;
still, most of what was composed outside the church was devotional.
This is relatively simple music, well-performed. The sound is verz good: notes are
informative; texts and translations
Crawford
CLASSIC CD MAY 2000
VARIOUS
Zurich, Arise! - Swiss Renaissance and Baroque Music by Schmidlin, Walder and Bachofen
Gonville and Caius College Choir/Geoffrey Webber (organ)
Guild GMCD 7175 - 59:22 DDD
..............................................................
VARIOUS
Christ Ascended - Swiss 20th-century church Music by Müller-Zürich, Schaeuble,
Schütter, Brunner, Scheel and Schoeck
Gonville and Caius College Choir/Geoffrey Webber; Jeremy Bines (organ); Timathy Uglow
(organ)
Guild GMCD 7177 – 67:39 DDD
..............................................................
The profile of Gonville and Caius College Choir on disc has been overshadowed by
the better-known Cambridge mixed choirs of Trinity and Clare, but Geoffrey Webber's
well-trained singers need fear no comparison. Caius has instead made a name for itself by
concentrating on neglected areas of the repertoire, with recordings of music by Wood,
Rheinberger, Janácek, Wesley and Child, among others. Here they reach completely
uncharted waters, with two discs of church music from Switzerland – every piece here
is a recorded premiere.
Church reformer Huldrych Zwingli had banned singing and organs from Zurich churches in
1524.This hiatus – fortunately temporary – cast a shadow over Swiss liturgical
music right up to the twentieth century.
The first disc covers the sixteenth to eighteenth centuries, with music by the unknowns
Johannes Schmidlin, Johann Jakob Walder, and Johann Caspar Bachofen. The major works are a
1759 funeral cantata for Johannes Fries, major of Zurich, by Schmidlin and a selection of
Renaissance organ pieces from the Clemens Hör tablature. The capable vocal soloists are
drawn from the choir, and have just the right artless style for this provincial
repertoire.
Christ Ascended, the more interesting disc of the two, mixes organ and choral music
by six twentieth-century Swiss composers, of whom only Othmar Schoeck is at all well
known. The style is principally a warm-toned Hindemithian neo-classicism - in the case of
the talented Hans Schaeuble's Five Choruses of 1936, a sound-world not a million
miles away from that of Hebert Howells. This disc makes an attractive programme in its own
right.
Francis Knights
Performance – 4 stars
Sound – 4 headphones
Verdict: Caius illuminate yet another overlooked musical
byway
Neue Zürcher Zeitung ZÜRCHER KULTUR Mittwoch, 05.01.2000 Nr.3
36
Auf, Zürich, auf!
Zürcher Chormusik auf einer neuen CD
MvO. Es mag seltsam anmuten, dass ein englischer Chor Musik aus
Zürich von der Renaissance bis zum Barock interpretiert, doch The Choir of Gonville &
Caius College aus Cambridge überzeugt als exzellenter Klangkörper mit äusserst agilen
Stimmen. Dass die Textverständlichkeit gelegentlich mangelhaft ist, scheint angesichts
der Herkunft des Ensembles verzeihlich. Huldrych Zwingli schaffte den Kirchengesang und
das Orgelspiel in den Zürcher Kirchen ab, war aber ein begnadeter Musiker, der auch
selbst komponierte. «Herr, nun heb den Wagen selb», das sogenannte Kappelerlied, ist
seine berühmteste überlieferte Komposition, von der auf dieser Aufnahme drei Versionen
vorgestellt werden. Zahlreich vertreten sind die Lieder Johann Caspar Bachofens
(1695-1755), die mit gekonntem polyphonem und homophonem Einsatz der einzelnen Stimmen
komponiert sind. Johannes Schmidlin (1722-1772), der bedeutendste Zürcher Komponist nach
Bachofen, schrieb auf den Tod des Bürgermeisters Johannes Fries eine grosse Trauer-
Kantate. Im Wechsel von Rezitativen und Arien erklingt eine Musik von erstaunlicher
Dramatik. Gerade hier werden die technisch schwierigen Passagen von den Chorsolisten
bravourös gemeistert. So zeigt sich ein vielfältiges Bild Zürcher Musik, das wahrlich
grosse Anerkennung verdient, um so mehr, als sich ausländische Musiker damit
auseinandersetzen.
Zurich, arise! Music from the Renaissance to the
Baroque. Members of the Choir of Gonville and Caius College,
Cambridge, Leitung: Geoffrey Webber. Guild GMCD 7175 (1CD).
Zürich Express – Freitag, 17.12.1999
Zwingli gesungen
Zürich nach der Reformation gilt als Land ohne Musik. Einer der besten Chöre Englands
beweist jetzt das Gegenteil: mit Konzerten un der CD "Zurich, Arise!".
"Thu mir das gmürmel diner gsangen hinweg und das gsang diner lyren will ich
nit", schreibt Huldrich Zwingli 1523 und leitete damit eine musiklose Zeit in Zürich
ein. Bis 1598 war in Zürich der Kirchengesang verboten, und noch heute gilt das
nachreformatorische Zürich als Land ohne Musik.
Eine CD in der Reihe "Musik aus der Zentralbibliothek" will diesen Ruf
verstummen lassen – und zwar ausgerechnet mit Kompositionen und Worten Zwinglis:
"Auf, Zürich, auf", ist nämlich ein weiterer Ruf Zwinglis und wurde in seiner
englischen Übersetzung "Zurich, Arise" als Titel für eine CD gewählt, die mit
zwei Kompositionen Zwinglis beginnt und Werke von weiteren Zürcher Komponisten von der
Renaissance bis im Barock einspielt. Gesungen werden die Werke von einem der besten Chöre
Englands, den Members of the Choir of Gonville & Caius Gollege in Cambridge unter
Leitung von Geoffrey Webber.
Hélène Arnet
"Zurich, Airse!" – GMCD 7175 und "Christ Ascended" – GMCD 7177
Reihe: Music from the Zentralbibliothek Zürich
Page revised 29.9.2000
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