Reviews for
GMCD 7184 - Liste II
American Record Guide January / February 2001
LISTE. Piano Sonata in A; Masonic Cantata" 3 Songs; Piano Duet
Sonata
Steve Davisilm, t; Garrie Divislim, bar; James Rutherford, b; Andrew Zolinsky, William
Fong, p
Guild 7184-76 minutes
Anton Liste (1772-1832) is another unknown composer. At least this is the first
recording of his music to ever come my way. Born in Hildesheim, Germany, he was sent to
Vienna when he was 17 and spent three years studying with Albrechtsberger. By 1804 he
moved to Zurich. He gave voice and piano lessons and, a few years later, took the
leadership of the orchestra as welll. By 1811 he was well enough known that he took a
mountain-hiking trip with Carl Maria von Weber. He founded a choir that was evidently the
only one in Zurich to perform oratorios. Not many of Liste's works have survived. These at
least give some insight into his capabilities. His two piano sonatas show that he was fond
of experimentation and prove that he wrote with considerable imagination. The Duet Sonata
even concludes with a fugue! They sound rather like early Beethoven. His Cantata for the
reopening of a Masonic Lodge in Zurich in 1811 is a setting of a text by a fellow Mason,
Heinrich Lavater. It is a pleasant early-romantic piece. The three part songs are drawn
from Liste's Op. 1. They are charming, with Schubertian overtones. This recording is
generally fine. The pianists seem first rate, the vocalists very good. One must wish,
though, that a chorus rather than two soloists had performed the cantata. The recording is
very clear and well balanced. The notes are perhaps briefer than would have been
desirable, but that is only a minor quibble. Texts and translations. Bsumsn
BBC Music Magazine November 2000
Liste Piano Sonata in A Op.8; Grand Sonata for
piano duet op.2; Masonic Cantata; songs.
Andrew Zolinsky, William Fong (piano), Steve Davislim, Garrie Davislim(tenor), James
Rutherford (bass)Guild GMCD 7184 75:40 mins
£££
Anton Liste (1772-1832) has languished on obscurity since his death. And on the
evidence here you can understand why, with his amiably unmemorable sonatas aping the
manner of early Beethoven but lacking the dynamism, passion or intellectual rigour.
Sympathetic, committed performance.
Richard Widmore
Performance 4 star
Sound 4 star
Page revised 02.02.2001
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